Perhaps it is Stephen Dunn’s humble beginnings that make his poetry so universal with its “meticulous attention to the inner world reflected in our shared language.” Dunn’s poetry, as described by the poet himself, fixates on the psychological landscapes that we all traverse in our efforts to live and love. The tiny intimate moments that often go unspoken but nonetheless affect our psyche, relationships, and environments. Indeed, Dunn grew up in Queens to immigrant parents with little resources beyond his own intellect, physical capabilities and ingenuity. It is these characteristics that provided Dunn the foundation to be able to delve beyond the physical world into what really inspires us: the inner workings of the human condition.
Poet Stephen Dunn was born in 1939 in New York City. The first of his family to go to college, Dunn attended Hofstra University on a basketball scholarship and later worked in advertising. In an interview with Poets and Writers, Dunn discussed the leap from being an ad-man to poet: “My first job out of college was writing in-house brochures for Nabisco in New York, and I kept getting promoted. I was in danger, literally, of becoming like the men who were around me. So I quit and went to Spain to write a novel, and wrote a bad one. But I was trying to write poetry too, and those efforts seemed more promising. The rest, as they say, is history, or my history.” Dunn attended the New School and earned an MA in creative writing from Syracuse University, where he studied with Philip Booth, Donald Justice, and W. D. Snodgrass. He is the author of over a dozen books of poetry, including the National Poetry Series Prize winning Local Time(1986), Landscape at the End of the Century (1991), Loosestrife (1996), Different Hours(2000), which won the Pulitzer Prize, What Goes On: New and Selected Poems 1995-2009 (2009), and Here and Now (2011). His works of prose include Riffs and Reciprocities: Prose Pairs (1998), and Walking Light: Essays and Memoirs (reissued 2001).
Dunn’s poetry reflects the social, cultural, psychological, and philosophical territory of the American middle class; his intelligent, lyrical poems narrate the regular episodes of an everyman speaker’s growth, both as an individual and as part of a married—and later divorced—couple. His poetry is concerned with the anxieties, fears, joys, and problems of how to co-exist in the world with all those who are part of our daily lives. Reviewing Dunn’s most recent volume of new and selected poems, What Goes On, Joel Brouwer in the New York Times noted that“the speaker of Dunn’s recent poems is a regular guy cursed with an understanding of human nature more subtle than he’d prefer.” Plainspoken, yet powerful and astute, Dunn’s easygoing tone marked his first collections, including Looking for Holes in the Ceiling (1974), making him far different from the prevailing confessional tone and suicidal themes of the time, prevalent in poets such as Sylvia Plath, Anne Sexton, and John Berryman.
Dunn’s interest in the mundane, the typical, and the minutia of a certain stratum of American life shapes his entire body of work. Acclaimed for his accessible style, Dunn has been described by fellow poet David Wojahn as “one of our most prolific and consistent poets… level-headed, witty, conversational in his diction, and willing to see in domestic life his means of attaining and imparting wisdom.” Though generally content to evoke the happy ambivalences of middle-class America, volumes such as Loosestrife are marked with darker themes, such as divorce and home invasion. As Dunn has continued writing, his books have taken on mortality and aging in more profound ways. Dunn remarked of the collection that won the Pulitzer Prize, Different Hours, that it “is a book that I do believe is my best. Among other things it has taken on aging and mortality in a way that my other books have not.”
In addition to the Pulitzer, Dunn’s honors and awards include fellowships from the National Endowment for the Arts and the New Jersey State Council on the Arts. He has won the James Wright Prize and an Academy Award for Literature. Distinguished Professor of Creative Writing at Richard Stockton College, Dunn lives in Maryland with his wife, the writer Barbara Hurd.
